art-of-swords:

Combination Dagger and Pistol
Dated: circa 1800
Provenance: Ottoman Empire
The weapon has three-stage, smoothbore barrels with rings at the girdle. The first part is octagonal with three Arabic stamps and gilded floral decorations. The two round sections are decorated en suite and have blueing remains, especially the lower one, 12 mm caliber.
The smooth plate lock is decorated en suite, featuring a sliding pan that functions as a change lever for the two barrels. The area behind the cock is silver plated, engraved with crescents, stars, trophies and a sun.
The part between the two barrels is made of wood and is richly inlaid with filigree waves, two silver barrel brackets, one in the middle and the other one at the nozzle. 
The straight stock is shaped as a khanjar dagger’s grip, completely silver plated, the girdle is engraved and shows gilded remains. The upper part is removable and provided with a ribbed, double-edge damascus blade, with bone inlays at the base.

Source: Copyright © 2014 Live Auctioneers

art-of-swords:

Combination Dagger and Pistol
Dated: circa 1800
Provenance: Ottoman Empire
The weapon has three-stage, smoothbore barrels with rings at the girdle. The first part is octagonal with three Arabic stamps and gilded floral decorations. The two round sections are decorated en suite and have blueing remains, especially the lower one, 12 mm caliber.
The smooth plate lock is decorated en suite, featuring a sliding pan that functions as a change lever for the two barrels. The area behind the cock is silver plated, engraved with crescents, stars, trophies and a sun.
The part between the two barrels is made of wood and is richly inlaid with filigree waves, two silver barrel brackets, one in the middle and the other one at the nozzle. 
The straight stock is shaped as a khanjar dagger’s grip, completely silver plated, the girdle is engraved and shows gilded remains. The upper part is removable and provided with a ribbed, double-edge damascus blade, with bone inlays at the base.

Source: Copyright © 2014 Live Auctioneers

art-of-swords:

Combination Dagger and Pistol
Dated: circa 1800
Provenance: Ottoman Empire
The weapon has three-stage, smoothbore barrels with rings at the girdle. The first part is octagonal with three Arabic stamps and gilded floral decorations. The two round sections are decorated en suite and have blueing remains, especially the lower one, 12 mm caliber.
The smooth plate lock is decorated en suite, featuring a sliding pan that functions as a change lever for the two barrels. The area behind the cock is silver plated, engraved with crescents, stars, trophies and a sun.
The part between the two barrels is made of wood and is richly inlaid with filigree waves, two silver barrel brackets, one in the middle and the other one at the nozzle. 
The straight stock is shaped as a khanjar dagger’s grip, completely silver plated, the girdle is engraved and shows gilded remains. The upper part is removable and provided with a ribbed, double-edge damascus blade, with bone inlays at the base.

Source: Copyright © 2014 Live Auctioneers

art-of-swords:

Combination Dagger and Pistol
Dated: circa 1800
Provenance: Ottoman Empire
The weapon has three-stage, smoothbore barrels with rings at the girdle. The first part is octagonal with three Arabic stamps and gilded floral decorations. The two round sections are decorated en suite and have blueing remains, especially the lower one, 12 mm caliber.
The smooth plate lock is decorated en suite, featuring a sliding pan that functions as a change lever for the two barrels. The area behind the cock is silver plated, engraved with crescents, stars, trophies and a sun.
The part between the two barrels is made of wood and is richly inlaid with filigree waves, two silver barrel brackets, one in the middle and the other one at the nozzle. 
The straight stock is shaped as a khanjar dagger’s grip, completely silver plated, the girdle is engraved and shows gilded remains. The upper part is removable and provided with a ribbed, double-edge damascus blade, with bone inlays at the base.

Source: Copyright © 2014 Live Auctioneers

art-of-swords:

Combination Dagger and Pistol
Dated: circa 1800
Provenance: Ottoman Empire
The weapon has three-stage, smoothbore barrels with rings at the girdle. The first part is octagonal with three Arabic stamps and gilded floral decorations. The two round sections are decorated en suite and have blueing remains, especially the lower one, 12 mm caliber.
The smooth plate lock is decorated en suite, featuring a sliding pan that functions as a change lever for the two barrels. The area behind the cock is silver plated, engraved with crescents, stars, trophies and a sun.
The part between the two barrels is made of wood and is richly inlaid with filigree waves, two silver barrel brackets, one in the middle and the other one at the nozzle. 
The straight stock is shaped as a khanjar dagger’s grip, completely silver plated, the girdle is engraved and shows gilded remains. The upper part is removable and provided with a ribbed, double-edge damascus blade, with bone inlays at the base.

Source: Copyright © 2014 Live Auctioneers

art-of-swords:

Combination Dagger and Pistol
Dated: circa 1800
Provenance: Ottoman Empire
The weapon has three-stage, smoothbore barrels with rings at the girdle. The first part is octagonal with three Arabic stamps and gilded floral decorations. The two round sections are decorated en suite and have blueing remains, especially the lower one, 12 mm caliber.
The smooth plate lock is decorated en suite, featuring a sliding pan that functions as a change lever for the two barrels. The area behind the cock is silver plated, engraved with crescents, stars, trophies and a sun.
The part between the two barrels is made of wood and is richly inlaid with filigree waves, two silver barrel brackets, one in the middle and the other one at the nozzle. 
The straight stock is shaped as a khanjar dagger’s grip, completely silver plated, the girdle is engraved and shows gilded remains. The upper part is removable and provided with a ribbed, double-edge damascus blade, with bone inlays at the base.

Source: Copyright © 2014 Live Auctioneers

art-of-swords:

Combination Dagger and Pistol
Dated: circa 1800
Provenance: Ottoman Empire
The weapon has three-stage, smoothbore barrels with rings at the girdle. The first part is octagonal with three Arabic stamps and gilded floral decorations. The two round sections are decorated en suite and have blueing remains, especially the lower one, 12 mm caliber.
The smooth plate lock is decorated en suite, featuring a sliding pan that functions as a change lever for the two barrels. The area behind the cock is silver plated, engraved with crescents, stars, trophies and a sun.
The part between the two barrels is made of wood and is richly inlaid with filigree waves, two silver barrel brackets, one in the middle and the other one at the nozzle. 
The straight stock is shaped as a khanjar dagger’s grip, completely silver plated, the girdle is engraved and shows gilded remains. The upper part is removable and provided with a ribbed, double-edge damascus blade, with bone inlays at the base.

Source: Copyright © 2014 Live Auctioneers

art-of-swords:

Combination Dagger and Pistol

  • Dated: circa 1800
  • Provenance: Ottoman Empire

The weapon has three-stage, smoothbore barrels with rings at the girdle. The first part is octagonal with three Arabic stamps and gilded floral decorations. The two round sections are decorated en suite and have blueing remains, especially the lower one, 12 mm caliber.

The smooth plate lock is decorated en suite, featuring a sliding pan that functions as a change lever for the two barrels. The area behind the cock is silver plated, engraved with crescents, stars, trophies and a sun.

The part between the two barrels is made of wood and is richly inlaid with filigree waves, two silver barrel brackets, one in the middle and the other one at the nozzle.

The straight stock is shaped as a khanjar dagger’s grip, completely silver plated, the girdle is engraved and shows gilded remains. The upper part is removable and provided with a ribbed, double-edge damascus blade, with bone inlays at the base.

Source: Copyright © 2014 Live Auctioneers

(via redwhiteandblueliberty)

4master2chief0:

Are you fucking kidding me. I need both
4master2chief0:

Are you fucking kidding me. I need both
4master2chief0:

Are you fucking kidding me. I need both

4master2chief0:

Are you fucking kidding me. I need both

(via cannabismylove)

jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery
As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes.  jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery
As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes.  jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery
As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes.  jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery
As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes.  jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery
As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes.  jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery
As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes.  jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery
As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes.  jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery
As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes. 

jedavu:

Liu Bolin camouflages himself in a colorful world at Klein Sun Gallery

As an expression of his own perspective on culture, society and politics, chinese artist Liu Bolin presents ‘a colorful world?’ at klein sun gallery, new york — a exhibition of new sculptures, photographs and lightboxes. 

tastefullyoffensive:

Satan’s Little Helper [x] tastefullyoffensive:

Satan’s Little Helper [x]

daphadilly:

officeofnerd:

150 year old Victorian prosthetic hand. 

Creepy af

(via tarnished-sanity)

asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos.  asylum-art:

Fresh Paint by Martin Klimas
After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos. 

asylum-art:

Fresh Paint by Martin Klimas

After his latest series “Flower Explosions” photographer Martin Klimas offers an experience out of the ordinary of depositing fresh paint on a speaker and then run it at full power, and then enter the moment with his camera. More result, graphic and creative to find photos. 

(via cuts-brusies-razors)